returning to hypercolour with a second volume of his sugar cane chronicles, gary gritness lays down more devastating funk and classy riffing over his trusty roland 606. after the first volume, released last april, sold out its vinyl run, gritness delivers more explorations and adventures into his unique and soulful world. having elusively built his reputation as an outstanding session player, live producer and fantastically dressed funkateer, gritness has delivered a handful of releases on labels like clone crown ltd, nyami nyami and his own diy and cassette-only slikk tapes. steady choosin gets downright fusion-jazz and gritness fires out seductive melodies and latin piano playing of the highest order whilst countin up with starr delves into a darker well of synth mania, with a sexual groove reminiscing of rick james, all the while retaining garys signature licks and riffs. runner joes revenge on the flip ramps up the hysteria for a gritty and colossal production that typifies his love of cyberpunk soundtracks and the drama and narrative to be found in this style. the sugar cane chronicles vol. 2 closes with the low-slung pool shark loot wrapping up on a mysterious and captivating tone, its wandering bassline and melodic touches carrying all the signature gritness sounds, with the p-funk sleaziness on top.

gary beck returns with another weapon for bek audio in the form of stupid advert ep, three slices of frenetic, driving techno, masterfully executed by the glaswegian label boss.

the return of the hagues black magician! it has been 13 years since the parallax corporation / conservatives projects together with i-f and now intergalactic gary is back. i-g hooked up with a new musical partner, the lovely and talented pasiphae from greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance, with the ecstatic title track made of glass being the floor burner that will unite dancefloors worldwide. with the made of glass ep bio rhythm proudly presents the absolute creme de la creme of the current dutch west coast noir scene.

the album was written, produced, and distributed in garys hometown baltimore, between 1986 and 1987. after a break from performing while getting belated college degrees, gary returned to performing in the early 21st century, back to the singer/songwriter style of his past. gary feels that the generic art ensemble/original soundtrack days gave him an ability to open up his writing. his recent albums feature guitar, but many songs do have keyboards added to give them a fuller, less folky sound.

drum machines, acid basslines and colourful vintage synths are the main characters of this release, blissfully warmed up by the recording on tape. this one will bring some hot vibes in your collection!

nice price deal !!! italian vinyl only!!!! gary nesta is the voice of bob sinclair! summer hit!!!!!

gary beck presents barefoot sunday, a huge floor-filler complete with horn riffs and a cheeky vocal, via his own bek audio imprint. remix duties come from the mighty robert hood, who delivers a pressurised floorplan rework.

the new 12inch release from nyami nyami records teams up mbira maestro jacob mafuleni from zimbabwe and electro-funk producer gary gritness from france, who released a series of 12inch on clone records in 2015 and collaborated with orlando voorn, dam-funk or los hemanos. tip!!

lucky light ltd welcomes on board a scottish worldwide recognized producer gary beck from bek audio label. on this release we have garys single *misuse* remixed by uk techno legend mr. mark broom and second remix from label boss speedy. played on bbc radio by techno baron dave clarke!

chicago meets glasgow as lester fitzpatricks monster >bs<, released last year on urban kickz recordings, receives two deadly reworks from gary beck via his own bek audio label.

with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

mole people aka gary martin with his outstanding mole people series! all 4 releases will be remastered!

limited 200 copies vinyl only. the 2 labels owners launching the new gustosa records, half based in verona and half in berlin. the raw sampling lovers are presenting 4 tracks ep dancefloors killers plus a downtempo beat for the chillin time. dont miss it.

2016 repress! the big releases keep on coming in from bek audio, this time with label boss gary beck stepping into the spotlight to serve up a four track ep of calculably slamming techno.

here we have volume 2 of the from chicago to detroit series. this 5 tracker contains unreleased 90s grooves by larry heard & gari romalis who opened for derrick may at the legendary music institute! the b side features chi-towns very own gene hunt & african with mainframes. limited copies!

double vinyl re-issue of gary numans 1980 album. mastered from the hd digital 96/24 transfers of analogue tapes.

1979 album after gary numan changed his name from tubeway army, vinyl re-issue

gary martin releases his second sequential ep on motech records, the *this is it* ep. the ep features two more exclusive tracks, *this is it* a driving composition accented with piano and synth patterns and subtle funky movement, and *galaxy style* a percussive, building composition expertly laced with muted samples and synth progressions.
included on this ep are two remixes from techno veterans mark broom and rolando. broom takes on *this is it* chopping the original into a hyper dance floor drubbing burner. rolando re-treats *galaxy style* into a composition that unfolds as it progresses, bathed in signature rolando production elements.

as a preemptive strike before soma unleash their specially commissioned compilation, transmissions glasgow, we are proud to bring you one of the highlights from this as two of scotlands biggest techno exports, slam & gary beck, come together for pressure lights. a track celebrating slams long running club night pressure, that has been at the centre of scotlands techno scene for almost 17 years. big room beats and furious snares are the order of the day as the 2 techno titans deliver a monster track designed to destroy any dancefloor.

martins *escape from south warren* lp will arrive on october 5th on the label operated by frank juncaj, aka dj 3000. juncaj calls martin an *unsung hero of detroit techno* and cites his label, teknotika records, which has been running since 1993, as a key influence. the first remix ep, due out september 11th, features reworks by robert hood and dj 3000 in addition to two original cuts. mark broom and rolando contribute to the second ep, which arrives on october 12th.

nice price deal !!! gary beck serves up another lethal weapon in the form of a mighty three track ep via his bek audio imprint. high pressure techno from glasgow.

take cover, its a killer! repress 2015

words are almost needless here. funked up and driven techno slammer dipped in typical beck flavour. if you think this man is stoppable so youa are defo wrong!

following gary becks hard-hitting remix of dj rush >she is fine< on bek014, he returns with an ep of solely his own productions. >rascal< brings forward two of his biggest tracks in recent times. the title track, >rascal< returns to garys more familiar sound with swelling pads andsynths clad in fading loops and textures. the track varies in intensity but maintains the groove, as it balances a peak time feel with an almost reflective ambiance. >video siren< is stripped and straight-up techno. it avoids over-complication by keeping the elements to an absolute minimum, highlighting his ability to create atmosphere, tension and drive, using a less is more attitude.

monster!! 2015 repress .. gary beck remixes dj rush and the result is a slamming and all destroying weapon. red transparent vinyl. the one track release is relentless. a heavily distorted kick drum underpins numerous ride cymbals and snare roles that nestle in between a crisp hi-hat and snapping snare. dj rushs sleaze-laden vocal flits in and out of the mix with with archetypal beck panning-delays. the original >she is fine< was released on rush’s kne’ deep label in 2007. six years on, 2013 sees gary beck work one of his toughest releases to date.

the adventures of gary gritness chapter 2. gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks (spread over 2 eps) with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

warehouse find! late 80s chicago acid house. check the acid mix. copies in great shape, most copies are sealed.

next up on the clone crown series and hailing from the post-industrial city of nancy, france, is bad boy and multi-instrumentalist funkateer gary gritness aka slikk tim, bringing us the adventures of gary gritness chapter 1. spread over two separate 12inches, gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

stunning gary beck remix!incl. gary beck remix! its been a hectic summer as always for mood boss nicole moudaber. her relentless touring schedule has seen her ruling the dancefloors of every continent. on the release front shes fresh from unveiling her astonishing rework of carl cox s kommen zusammen

gary beck and mark broom teaming up for nothing else than stunning techno. great 4 tracker on the always floor destroying bek audio.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

bek audio with 2 prime time numbers by labelhead gary beck himself. ready for the peak time? this one is a sure shot. handstamped and shrinked.

2014 repress !!
after his highly acclaimed remix of phil kierans >empty vessels< one of the most prolific and inventive producers in the current electronic music scene returns to electric deluxe: gary beck with an ep of his own, >egoist ep<. created sometime last year during a dark and stormy night in glasgow, the track with the promising title >egoist< was at first about to be forgotten. at some point >egoist< ended up in speedy j<s hands, who immediately decided to play it, >egoist< proved its name, ripping apart every dance floor every time it got dropped.

after 20 years of experience, gary martin couldnt resist a 12 inch that is also the 50th release for teknotika: a label from detroit that didnt exactly stick with the game when it switched to the mp3 format. *basking in blackness* is a composition of textured broken beat then classic four on the floor old school soul. *synthotika* is what would happen if a synthasizer could take over an orchestra. a track inspired by detroit peers no doubt. *every bit as beautiful* goes sensative deep house piano, a lil latin percussion and soaring eno-esque synths to top it off. the title is a bit sarcastic, let us face it, there is no life after techno!
pressing on grey marbled vinyl.

bomb! one of the best fellas who constantly burning down floors with his peak time monsters got remixed by the cream of techno. there are no more words needed!

gary beck never disappoint if it comes to peak time techno. 3 raw and dirty tracks with a delicate flavour of funk.

a welcome return for the mighty hardgroove. ben sims with mixes from gary beck.

gary beck brings fellow glaswegians and techno legends slam onto bek audio for their first release with the imprint. gary and slam have worked together on numerous projects across labels like figure, paragraph and soma to explosive effect. >harem< is no different. bek audio continues to push the bar and does so with panache on slams >harem< release.

finally the 3rd part with bangin uk prime time techno madness

another slamming release from veteran producers jay lumen (saved / mistakes) and gary beck (soma/perc trax). on their own they are pretty amazing so imagine what they are like when their talents are combined. this drumcode bomb is an essential for any techno box, lets face it this one will do the damage!

two essential techno players. the bek audio imprint hits double figures on this release, showcasing label-boss gary beck while also welcoming the sounds of mark reeve. mark reeve has made appearances on labels like soma, cocoon & traum and is an artist that gary has been supporting in many of his recent dj sets. gary beck sets the pace with >ars poetica<, the rugged opening track on this release. rasping off-beat bass and unnerving vocal samples join toughened drums and percussion to create a full-bodied fix. on the flip, mark reeve makes his first appearance on bek audio with his >fabula< track. a clean, smooth and grooving lesson in restrained and delicate production, fabula utilises icy cold atmospheres with warm and unwavering rhythm.

two massive dancefloor techno tracks by slam & gary beck, nothing more to say !! just listen

after his monster releases on without any doubt (wad001, wad004) here comes his next bomb!! full of primetime techno madness

15 years of drumcode , part 5 with gary beck & rocco caine.... more prime time drama... more drama , yeah baby

fresh repress 2013! gary beck starts with a techno bomb called >diva<, incl 2 vinyl only remixes from the glitz & daniel nitsch... our tipp daniel nitsch remix

nice price deal !!! we can t stop this guy ... gut so ...

the beardman is back with remix-support from gary beck and dustin zahn. major league heavyweight sound-wrestling!

gary beck teams up with house legend and personal hero mr. g on their first col- laboration together. their efforts highlight both producers uncanny ability to create something that is instantly recognizable while distinctly individual. >all my people< brings a true and unadulterated house sound with a swaggering vocal sample and straight, crisp and assertive percussion. mark broom returns for his second appearance on bek audio with >stag<. steady, rol- ling techno shows the darker, head-down side of the bek imprint and marks produc- tions. intense percussion builds with the addition of a haunting synth leading to the break. stripped back to the bones the track jumps in with powerful effect.

having impressed with his stripped back, percussive remix of alan fitzpatricks gridlock track, drumcode are delighted to be giving gary beck his full debut on the label with his askaig ep. askaig illustrates becks understanding of the drumcode aesthetic as he contrasts the brutal force of a slamming kick, huge throbbing bass and crunchy pads with the delicate, ever-so-trippy plucked string hook via an arrangement that enhances and the raw power of the individual elements. on the flip side, mock tease completes the package with an end-of-night bridging track that combines the shimmering euphoric qualities of pulsing harmonics with splashes of sound effects and a marching, percussive rhythm that extenuates the epic feel of the track